Piet Mondrian's 'Lozenge Composition with Yellow, Black, Blue, Red, and Gray' (1921) tilts his signature Neoplastic grid 45 degrees so that the canvas meets the wall as a diamond. Black bars divide the tilted field into primary rectangles — a rigorous experiment in the shape of the support itself. Oil on canvas, Art Institute of Chicago.

Exhibition Venue

Art Institute of Chicago

Chicago, United States