Painted in Rembrandt's final years (c. 1665–1669), 'The Jewish Bride' shows a richly dressed couple tenderly embracing — the man resting his hand on the woman's breast while she clasps his wrist in acceptance. The identities of the sitters remain unknown, and the 19th-century title is traditional rather than documentary. The extraordinary layered, palette-knife build-up of gold and ochre paint on the sleeve and gown represents the summit of Rembrandt's late handling. Van Gogh famously said in 1885 that he would give up ten years of his life just to be allowed to sit in front of the picture for two weeks.

Exhibition Venue

Rijksmuseum

Amsterdam, Netherlands